Mrs. Gereth stared as at some gross material ravage. "Another footing? What other footing?" Mrs. Gereth jumped at this. "So that she'll break altogether if I keep them?"!

"It's too wonderful, what you've done with the house!"—the visitor met her friend's eyes. They lighted up with joy—that friend herself so pleased with what she had done. This was not at all, in its accidental air of enthusiasm, what Fleda wanted to have said: it offered her as stupidly announcing from the first minute on whose side she was. Such was clearly the way Mrs. Gereth took it: she threw herself upon the delightful girl and tenderly embraced her again; so that Fleda soon went on, with a studied difference and a cooler inspection: "Why, you brought away absolutely everything!" These arts, when Mrs. Gereth's spirits were high, were handled with a brave and cynical humor with which Fleda's fancy could keep no step: they left our young lady wondering what on earth her companion wanted her to do. "I want you to cut in!"—that was Mrs. Gereth's familiar and comprehensive phrase for the course she prescribed. She challenged again and again Fleda's picture, as she called it (though the sketch was too slight to deserve the name), of the indifference to which a prior attachment had committed the proprietor of Poynton. "Do you mean to say that, Mona or no Mona, he could see you that way, day after day, and not have the ordinary feelings of a man?" This was the sort of interrogation to which Fleda was fitfully and irrelevantly treated. She had grown almost used to the refrain. "Do you mean to say that when, the other day, one had quite made you over to him, the great gawk, and he was, on this very spot, utterly alone with you—?" The poor girl at this point never left any doubt of what she meant to say, but Mrs. Gereth could be trusted to break out in another place and at another time. At last Fleda wrote to her father that he must take her in for a while; and when, to her companion's delight, she returned to London, that lady went with her to the station and wafted her on her way. "The Morning Post" had been delivered as they left the house, and Mrs. Gereth had brought it with her for the traveler, who never spent a penny on a newspaper. On the platform, however, when this young person was ticketed, labeled, and seated, she opened it at the window of the carriage, exclaiming as usual, after looking into it a moment: "Nothing—nothing—nothing: don't tell me!" Every day that there was nothing was a nail in the coffin of the marriage. An instant later the train was off, but, moving quickly beside it, while Fleda leaned inscrutably forth, Mrs. Gereth grasped her friend's hand and looked up with wonderful eyes. "Only let yourself go, darling—only let yourself go!"

"I hardly see Mona as the 'soul' of anything," the girl replied. "But have they made no sound? Have you heard nothing at all?" "Ah," said Fleda, "I'm not so sure!" "You must settle that with her. You mustn't break faith. Anything is better than that. You must at any rate be utterly sure. She must love you—how can she help it? I wouldn't give you up!" said Fleda. She spoke in broken bits, panting out her words. "The great thing is to keep faith. Where is a man if he doesn't? If he doesn't he may be so cruel. So cruel, so cruel, so cruel!" Fleda repeated. "I couldn't have a hand in that, you know: that's my position—that's mine. You offered her marriage: it's a tremendous thing for her." Then looking at him another moment, "I wouldn't give you up!" she said again. He still had hold of her arm; she took in his blank alarm. With a quick dip of her face she reached his hand with her lips, pressing them to the back of it with a force that doubled the force of her words. "Never, never, never!" she cried; and before he could succeed in seizing her she had turned and, scrambling up the stairs, got away from him even faster than she had got away from him at Ricks.